August 15 2009
Meme Pools,
The launch of the Edinburgh Fringe was one week ago, and I just finished performing my 25th show of the festival. Yes, with previews last week and both the Rap Guide to Evolution and the Rebel Cell on every single day, plus cabaret spots at night, it adds up quickly. There is so much to tell that I'm not even going to try to elaborate in an email, except to say that the highlights have been constant and consistently stimulating, and I'm blogging them regularly.
Yes, if you want to know more about the details of my experience here, I am writing a regular blog called "Darwin on the Fringe" for Whatsonstage.com, a Darwinian analysis of the strange phenomenon that is the world's largest arts festival. The most recent entry about performers-cum-producers and the phenomenon of human menopause is particularly entertaining. Here's a link to read it, and catch up on the past week: Darwin on the Fringe Blog.
The other interesting development is that we've been on the telly quite a lot lately. Dizraeli and I performed live on both BBC Breakfast Television and GMTV last week, which went out to literally millions across the UK, and the BBC rap was picked up by BBC News 24 and run worldwide (!) every hour that day, so a lot of random people in Australia, Europe, etc, have written to say they saw us, quite surreal. Here's the link to the BBC feature.
And here's the link to the GMTV feature.
And the reviews? So far we have only been reviewed once for the Rebel Cell, quite positively, and I have been reviewed four times for the Rap Guide to Evolution, two three star reviews and two four star ones. The three star reviews have faulted me for speaking too fast and trying to cram too much into an hour, and for coming across too much like a lecture and not enough like theatre. The best (ie most interesting) review so far was from BroadwayBaby.com, and ought to be read in its entirety, since the critic really did pick up on some of the most important elements of the show. Click here to read it.
Regardless of the reviews, the crowds have been having a great time, and we've been playing to full (if not yet sold out) houses. I have also had some great responses on my Rap Guide to Evolution CD giveaway, including plugs on both RichardDawkins.net and PZ Myers' legendary Pharyngula blog, which called it "not bad" (shivers!). Click here to check it out, along with some of the
twaddle.
Onward and upward!
Baba
Sunday, August 16, 2009
Saturday, August 1, 2009
The Rap Guide to Evolution: Free Music Download!
August 1 2009
Human Tribespeople,
Tomorrow I depart for the Edinburgh Fringe Festival and possibly the greatest creative adventure of my life to date (I know, I always say that). Starting next week I will be performing the Rap Guide to Evolution and the Rebel Cell (with the ever-talented MC Dizraeli), both every day until August 31st, and to get things launched I want to share my newest opus with you: The Rap Guide to Evolution LP!
This album was recorded in between rehearsals and tours over the past six weeks, in collaboration with some amazing UK artists, and one Turkish one. Infinite Potential, Tom Caruana, and Nokz from Tehdit all provide the beats, Mr. Simmonds did mixes, cuts, and the final master, Dizraeli and Noa Bodner provided chorus vocals, and my uncle Simon Kendall provided the keyboard magic to give it a powerful musical score. The whole thing can now be download from my website for free as a special Fringe promotion for August only! Click Here.
Please download it and give it a serious listen and pass it on to friends if you think they would like it (or if you think they would hate it, but need to hear it).
This album is for anyone who has ever wondered: what's the big deal about Darwin? The album explores Darwin's place in history, what he taught us, why it matters, what is being done with his theory today, what it says about the human animal and our place in the universe, why his theory is so threatening to so many people, and why it is so inspiring to so many others. Besides the philosophical aspect, the album also gives a fairly comprehensive and scientifically-accurate overview of modern evolutionary biology, which means it can also be used for educational purposes (my devious hidden agenda). And did I mention that it's also quite funny?
If any of you know of video editors or producers (students welcome) who might be interested in helping me to create video treatments for the songs, I am very keen to make this a reality.
If you want to hear what the live Fringe show sounds like, a Podcast called "The Naked Scientist" recently posted a complete recording of one of my Cambridge Darwin Festival performances, just click here to download.
And while we're on the free music tip, Dizraeli just released his first single, "Reach Out", which can be downloaded for free from his website. Give it a listen, you'll love it! Click here.
Wish us luck on the Fringe!
Baba
PS - here's a link to my Edinburgh press release, with details, if you know anyone who will be there. Click here.
Human Tribespeople,
Tomorrow I depart for the Edinburgh Fringe Festival and possibly the greatest creative adventure of my life to date (I know, I always say that). Starting next week I will be performing the Rap Guide to Evolution and the Rebel Cell (with the ever-talented MC Dizraeli), both every day until August 31st, and to get things launched I want to share my newest opus with you: The Rap Guide to Evolution LP!
This album was recorded in between rehearsals and tours over the past six weeks, in collaboration with some amazing UK artists, and one Turkish one. Infinite Potential, Tom Caruana, and Nokz from Tehdit all provide the beats, Mr. Simmonds did mixes, cuts, and the final master, Dizraeli and Noa Bodner provided chorus vocals, and my uncle Simon Kendall provided the keyboard magic to give it a powerful musical score. The whole thing can now be download from my website for free as a special Fringe promotion for August only! Click Here.
Please download it and give it a serious listen and pass it on to friends if you think they would like it (or if you think they would hate it, but need to hear it).
This album is for anyone who has ever wondered: what's the big deal about Darwin? The album explores Darwin's place in history, what he taught us, why it matters, what is being done with his theory today, what it says about the human animal and our place in the universe, why his theory is so threatening to so many people, and why it is so inspiring to so many others. Besides the philosophical aspect, the album also gives a fairly comprehensive and scientifically-accurate overview of modern evolutionary biology, which means it can also be used for educational purposes (my devious hidden agenda). And did I mention that it's also quite funny?
If any of you know of video editors or producers (students welcome) who might be interested in helping me to create video treatments for the songs, I am very keen to make this a reality.
If you want to hear what the live Fringe show sounds like, a Podcast called "The Naked Scientist" recently posted a complete recording of one of my Cambridge Darwin Festival performances, just click here to download.
And while we're on the free music tip, Dizraeli just released his first single, "Reach Out", which can be downloaded for free from his website. Give it a listen, you'll love it! Click here.
Wish us luck on the Fringe!
Baba
PS - here's a link to my Edinburgh press release, with details, if you know anyone who will be there. Click here.
Monday, July 13, 2009
Cambridge Darwin Festival
July 13 2009
Reciprocal Altruists,
Yesterday I returned from the Cambridge Darwin Festival, after six days of evolutionary bliss. Every day consisted of morning and afternoon sessions featuring top evolutionary biologists discussing various aspects of Darwin's legacy and contemporary evolutionary biology. And every evening consisted of entertainment events and ceremonies, including a healthy dose of Darwinian rapping. I performed "The Rap Guide to Evolution" four times over the course of the festival, including shows at both the opening night party and the closing ceremony dinner, which meant I was literally entertaining the poshest of the posh, and some of the most inspiring minds of our time.
Some highlights for me were:
1. Performing a freestyle rap on the lawn of King's College at the closing night ceremony dinner, with David Attenborough in the crowd (not to mention a few other heavyweights). Did I meet him? No I did not, since he was one of several hundred people there and was surrounded by acolytes the entire time, but he did witness the performance and I did give him a shout-out in
my verse. Here's a video ably shot by my friend Irene (if you can't see it click here):
2. Meeting Richard Dawkins and talking to him about the potential of rap to rally people and bring evolutionary ideas to a wider audience. He didn't get to see me perform, but I did give him a CD of my song "Natural Selection" which features his voice reading from the "Origin", and he was delighted by my description of the opening night ceremony, where I had all of the champagne-sipping dignitaries shouting "Creationism is dead wrong!" along with me on the chorus. You can download the song and watch a video of the performance on my website.
3. Following the fascinating debates about the intersections of evolution with culture, and especially religion. Dan Dennett argued that religion was a meme or cultural parasite similar to a lancet fluke, which high-jacks the brains of those who are infected, causing them to behave in bizarre ways that benefit only the meme and not the carrier, while others, notably David Sloan Wilson, argued that religion was an adaptation with high "secular utility", allowing people to cooperate in communities that function like beehives or like integrated organisms with a common purpose. Others argued that religion itself isn't even a valid subject of study, because it contains so many unrelated spheres of human activity, which have been promoted as a whole by institutions designed to take advantage of these evolved "modules" of human psychology. Click here to read Dennett's hilarious report of the festival's infestation by loopy "religious apologists".
4. David Sloan Wilson sitting in the front row of my performance on Tuesday night. Wilson's books "Evolution for Everyone" and "Darwin's Cathedral" were a big influence on the writing of the "Rap Guide" and although his concept of "Group Selection" was occasionally derided by nay-sayers at the festival, I didn't hear a single person explain what was logically or empirically wrong with it. I even heard Dawkins admit that Darwin's example of group selection was valid, ie the propagation of cooperative ancestral tribes over ones with severe infighting. That's pretty much the whole gist of Wilson's theory, which I personally find quite convincing, and I have a whole chapter of my show dedicated to it. Afterward I asked him for his feedback and he said the rap gave an accurate (and entertaining) account of the theory, and invited me to come and perform at Binghampton University where he teaches. Mission accomplished!
5. Sitting next to Sarah Hrdy at the celebration dinner, while listening to David Attenborough give a majestic speech on Darwin and evolution as "the most important theory and view about mankind and his place in the world that has been enunciated in historical time". Well put. Sarah is also possibly the sweetest sociobiologists I've ever met (she had lost her voice so we chatted all night with her writing on scraps of paper), and her book "Mother Nature" about the central role of the female sex in evolution and the natural world is definitely going to merit a chapter in the "Rap Guide".
6. Chatting with Dan Dennett about meme theory (or memetics), which he came very close to completely redeeming. The problem I've always had with the concept is that it lacks a clear unit of selection, treating a religion as a meme, but also a word, a song, a story, a dance craze, a style of dress, anything that can be copied (mimicked) from person to person, undergoing differential selection. But the copying is usually "analogue" and highly malleable, more Lamarckian than Darwinian, which means there is very low fidelity and no direct mechanism for the kind of adaptation that drives biological evolution. In his talk, and our conversation, Dennett emphasized "digital" memes like words, which sound different in different dialects, and look different in different fonts, but which our minds instinctively correct to a norm, much like the copying fidelity mechanisms of DNA replication. Conclusion: the theory of memetics is still alive and well, if still in its infancy.
Now I'm back in London working on recording the "Rap Guide" to a CD format, and rehearsing the Rebel Cell all week in preparation for our debut at Latitude Festival on Friday. I hope you are all having a great summer, and please take a moment to send some digital memes my way if you like.
Love,
Baba
Reciprocal Altruists,
Yesterday I returned from the Cambridge Darwin Festival, after six days of evolutionary bliss. Every day consisted of morning and afternoon sessions featuring top evolutionary biologists discussing various aspects of Darwin's legacy and contemporary evolutionary biology. And every evening consisted of entertainment events and ceremonies, including a healthy dose of Darwinian rapping. I performed "The Rap Guide to Evolution" four times over the course of the festival, including shows at both the opening night party and the closing ceremony dinner, which meant I was literally entertaining the poshest of the posh, and some of the most inspiring minds of our time.
Some highlights for me were:
1. Performing a freestyle rap on the lawn of King's College at the closing night ceremony dinner, with David Attenborough in the crowd (not to mention a few other heavyweights). Did I meet him? No I did not, since he was one of several hundred people there and was surrounded by acolytes the entire time, but he did witness the performance and I did give him a shout-out in
my verse. Here's a video ably shot by my friend Irene (if you can't see it click here):
2. Meeting Richard Dawkins and talking to him about the potential of rap to rally people and bring evolutionary ideas to a wider audience. He didn't get to see me perform, but I did give him a CD of my song "Natural Selection" which features his voice reading from the "Origin", and he was delighted by my description of the opening night ceremony, where I had all of the champagne-sipping dignitaries shouting "Creationism is dead wrong!" along with me on the chorus. You can download the song and watch a video of the performance on my website.
3. Following the fascinating debates about the intersections of evolution with culture, and especially religion. Dan Dennett argued that religion was a meme or cultural parasite similar to a lancet fluke, which high-jacks the brains of those who are infected, causing them to behave in bizarre ways that benefit only the meme and not the carrier, while others, notably David Sloan Wilson, argued that religion was an adaptation with high "secular utility", allowing people to cooperate in communities that function like beehives or like integrated organisms with a common purpose. Others argued that religion itself isn't even a valid subject of study, because it contains so many unrelated spheres of human activity, which have been promoted as a whole by institutions designed to take advantage of these evolved "modules" of human psychology. Click here to read Dennett's hilarious report of the festival's infestation by loopy "religious apologists".
4. David Sloan Wilson sitting in the front row of my performance on Tuesday night. Wilson's books "Evolution for Everyone" and "Darwin's Cathedral" were a big influence on the writing of the "Rap Guide" and although his concept of "Group Selection" was occasionally derided by nay-sayers at the festival, I didn't hear a single person explain what was logically or empirically wrong with it. I even heard Dawkins admit that Darwin's example of group selection was valid, ie the propagation of cooperative ancestral tribes over ones with severe infighting. That's pretty much the whole gist of Wilson's theory, which I personally find quite convincing, and I have a whole chapter of my show dedicated to it. Afterward I asked him for his feedback and he said the rap gave an accurate (and entertaining) account of the theory, and invited me to come and perform at Binghampton University where he teaches. Mission accomplished!
5. Sitting next to Sarah Hrdy at the celebration dinner, while listening to David Attenborough give a majestic speech on Darwin and evolution as "the most important theory and view about mankind and his place in the world that has been enunciated in historical time". Well put. Sarah is also possibly the sweetest sociobiologists I've ever met (she had lost her voice so we chatted all night with her writing on scraps of paper), and her book "Mother Nature" about the central role of the female sex in evolution and the natural world is definitely going to merit a chapter in the "Rap Guide".
6. Chatting with Dan Dennett about meme theory (or memetics), which he came very close to completely redeeming. The problem I've always had with the concept is that it lacks a clear unit of selection, treating a religion as a meme, but also a word, a song, a story, a dance craze, a style of dress, anything that can be copied (mimicked) from person to person, undergoing differential selection. But the copying is usually "analogue" and highly malleable, more Lamarckian than Darwinian, which means there is very low fidelity and no direct mechanism for the kind of adaptation that drives biological evolution. In his talk, and our conversation, Dennett emphasized "digital" memes like words, which sound different in different dialects, and look different in different fonts, but which our minds instinctively correct to a norm, much like the copying fidelity mechanisms of DNA replication. Conclusion: the theory of memetics is still alive and well, if still in its infancy.
Now I'm back in London working on recording the "Rap Guide" to a CD format, and rehearsing the Rebel Cell all week in preparation for our debut at Latitude Festival on Friday. I hope you are all having a great summer, and please take a moment to send some digital memes my way if you like.
Love,
Baba
Sunday, June 21, 2009
Apocalyptic Utopian Dreams...
June 16 2009
... in the Western Wilderness is where I've been for the past month, living in a tent and planting trees near Merritt, BC. And "Apocalyptic Utopian Dreams in the Western Wilderness" also happens to be the title of my new hip-hop album, which is now finished, mastered, and... still some time from being released. But since I have the final master in my hands, I wanted to give you all a little preview. For a limited time, you can download the whole record in Mp3 format by clinking this link.
Why am I giving it away, you ask? Because this is the modern era of music downloads, where independent artists such as myself face a conundrum. Sell it to a few people, or give it away to a lot of people? In this case you are my front lines, my ice-breakers and taste-makers, who get the record for free, for now, in the hopes that more people will hear about it through you and give it the momentum it needs to reach the elusive masses (and in the hopes that you will like it so much you will buy a physical copy when you see me next, or buy it online when it's available). If you want to stream songs a bit quicker, I have the entire album on my Facebook page and select songs on my Myspace page.
And what's up with that title? Well, as you will find when you listen to the record it's complex, but I have found there is something about the Pacific Northwest, something about Vancouver, BC, that inspires thoughts about the end of the world, or at least the end of civilization and technology, and about how that wouldn't be such a bad thing for everyone, perhaps ridiculous thoughts. These thoughts are not exclusive to that area, but they are rife there, perhaps because one's proximity to the geographical end of civilization inspires notions of its temporal end, or maybe for other reasons (extensive colonization by hippies and draft-dodgers etc), but it's a phenomenon I wanted to explore lyrically and musically. How ludicrous are those thoughts? How parochial and selfish? How realistic? Where do they come from and how can they be turned towards constructive ends? This has been my preoccupation for the past six months, between various tours and performances.
Sonically the record was crafted by the incomparable Lin G, who co-executive produced it with me and brought her signature quality standards and production talents to every track. Musically I have collaborated with some extremely gifted artists on this record, mostly producers from London and Brighton, and mostly singers from Vancouver or based there, Tia Brazda and Chantel Upshaw and Erica Dee and Aaron Nazrul. I also recently signed a new artist to Lit Fuse Records called "Smoky Tiger" who is featured on "The Road Northwest", which captures the album's theme perfectly. Smoky Tiger's debut album will be coming out on Lit Fuse Records before long as well, but I'll preview that one to you in another email.
As for me, I'm now in England with Dizraeli rehearsing and re-writing "The Rebel Cell," and tomorrow we visit our first music festival as Mud Sun, bringing our live hip-hop sound to the English Bacchanalia. There is a lot more to tell about this summer as well, with upcoming performances at Glastonbury, Latitude, Secret Garden, Edinburgh, and the prestigious Cambridge Darwin Festival, but I'll share those as they unfold.
In the meantime, please take the time to download the album and give it a listen and provide me with feedback. It took several months to craft and several years to formulate, and I am deeply chuffed with the result.
Good things to you all from Bristol,
Baba
... in the Western Wilderness is where I've been for the past month, living in a tent and planting trees near Merritt, BC. And "Apocalyptic Utopian Dreams in the Western Wilderness" also happens to be the title of my new hip-hop album, which is now finished, mastered, and... still some time from being released. But since I have the final master in my hands, I wanted to give you all a little preview. For a limited time, you can download the whole record in Mp3 format by clinking this link.
Why am I giving it away, you ask? Because this is the modern era of music downloads, where independent artists such as myself face a conundrum. Sell it to a few people, or give it away to a lot of people? In this case you are my front lines, my ice-breakers and taste-makers, who get the record for free, for now, in the hopes that more people will hear about it through you and give it the momentum it needs to reach the elusive masses (and in the hopes that you will like it so much you will buy a physical copy when you see me next, or buy it online when it's available). If you want to stream songs a bit quicker, I have the entire album on my Facebook page and select songs on my Myspace page.
And what's up with that title? Well, as you will find when you listen to the record it's complex, but I have found there is something about the Pacific Northwest, something about Vancouver, BC, that inspires thoughts about the end of the world, or at least the end of civilization and technology, and about how that wouldn't be such a bad thing for everyone, perhaps ridiculous thoughts. These thoughts are not exclusive to that area, but they are rife there, perhaps because one's proximity to the geographical end of civilization inspires notions of its temporal end, or maybe for other reasons (extensive colonization by hippies and draft-dodgers etc), but it's a phenomenon I wanted to explore lyrically and musically. How ludicrous are those thoughts? How parochial and selfish? How realistic? Where do they come from and how can they be turned towards constructive ends? This has been my preoccupation for the past six months, between various tours and performances.
Sonically the record was crafted by the incomparable Lin G, who co-executive produced it with me and brought her signature quality standards and production talents to every track. Musically I have collaborated with some extremely gifted artists on this record, mostly producers from London and Brighton, and mostly singers from Vancouver or based there, Tia Brazda and Chantel Upshaw and Erica Dee and Aaron Nazrul. I also recently signed a new artist to Lit Fuse Records called "Smoky Tiger" who is featured on "The Road Northwest", which captures the album's theme perfectly. Smoky Tiger's debut album will be coming out on Lit Fuse Records before long as well, but I'll preview that one to you in another email.
As for me, I'm now in England with Dizraeli rehearsing and re-writing "The Rebel Cell," and tomorrow we visit our first music festival as Mud Sun, bringing our live hip-hop sound to the English Bacchanalia. There is a lot more to tell about this summer as well, with upcoming performances at Glastonbury, Latitude, Secret Garden, Edinburgh, and the prestigious Cambridge Darwin Festival, but I'll share those as they unfold.
In the meantime, please take the time to download the album and give it a listen and provide me with feedback. It took several months to craft and several years to formulate, and I am deeply chuffed with the result.
Good things to you all from Bristol,
Baba
Tuesday, March 24, 2009
Gary Goodyear, Please Come to the Rap Guide to Evolution!
March 24 2009
Open Letter to Gary Goodyear, Canada's Minister for Science and Technology
Dear Minister Goodyear,
I will be performing a show called "The Rap Guide to Evolution" as part of the Vancouver Evolution Festival in a few weeks, and I would like to invite you to come to the performance free of charge. Allow me to explain.
I have read with interest the recent articles in the Globe and Mail about your misgivings towards Charles Darwin's theory of evolution ("Science minister won't confirm belief in evolution", March 17th). The Globe and Mail interviewer was very misleading when she asked whether you "believe in evolution", a question clearly designed to misrepresent Darwin's theory as a matter of personal belief rather than a scientific fact based on solid evidence. Hence, when you answered her question by saying "I don't think anybody asking a question about my religion is appropriate", you were only following her disingenuous lead.
However, your follow-up interview with CTV, ("'Of course' I believe in evolution", March 18th), suggests that the problem is a lack of comprehension rather than a lack of belief. Your chosen example of "evolution" was the ability to adapt by "walking on cement versus anything else, whether it is running shoes or high heels, of course we are evolving to our environment." By this measure, Mr. Goodyear, you are doing an excellent job of evolving your responses under the intense environmental pressure of media scrutiny. But you clearly don't understand Charles Darwin's theory.
However, I think your error is quite common and I have a simple solution: come see my show! I have spent the past few months researching and developing "The Rap Guide to Evolution", which explains and explores modern evolutionary theory through remixes, comedy storytelling, and rap poetry, making the theory simple, accessible, interesting, and fun to learn. The show was commissioned by Dr. Mark Pallen, a Microbiologist from England, who has consulted extensively on the scientific accuracy of the raps. Once you have nodded your head to the beat and laughed out loud at some of evolution's bizarre implications, you will have no reason to fear or avoid Darwin's ingenious theory any longer.
Here is what Science Magazine said about the show: "With lyrics that were sometimes sly, often hilarious, and always smart and thought-provoking, Brinkman married the fast, complex, literate delivery of Eminem with the evolutionary expertise and confrontational manner of Dawkins."
Click here to read the full review.
The Rap Guide to Evolution is presented by the Vancouver Evolution Festival (venues and details are below). I sincerely hope to see you there, both for the sake of your job security and Canada's international reputation, not to mention the reassurance of our scientific community.
Yours truly,
Baba Brinkman
Vancouver Evolution Festival Presents:
"The Rap Guide to Evolution" by Baba Brinkman
Public Performances
Friday 10th & Saturday 11th April, 8pm, Aisle 45 in Gastown (45 W Hastings at Abbott), doors at 7:30pm, running time 1hr.
Tickets $10 ($5 concession)
UBC Student Show
Thursday 9th April, 4pm, The Norm Theatre, SUB (Student Union Building)
Free entry
SFU Student Show
Monday 30th March, 2:30pm, IRMACS Theatre, SFU (Burnaby Mountain Campus)
Free entry
Click Here for Facebook Event Listing
Click Here for Additional Information
Open Letter to Gary Goodyear, Canada's Minister for Science and Technology
Dear Minister Goodyear,
I will be performing a show called "The Rap Guide to Evolution" as part of the Vancouver Evolution Festival in a few weeks, and I would like to invite you to come to the performance free of charge. Allow me to explain.
I have read with interest the recent articles in the Globe and Mail about your misgivings towards Charles Darwin's theory of evolution ("Science minister won't confirm belief in evolution", March 17th). The Globe and Mail interviewer was very misleading when she asked whether you "believe in evolution", a question clearly designed to misrepresent Darwin's theory as a matter of personal belief rather than a scientific fact based on solid evidence. Hence, when you answered her question by saying "I don't think anybody asking a question about my religion is appropriate", you were only following her disingenuous lead.
However, your follow-up interview with CTV, ("'Of course' I believe in evolution", March 18th), suggests that the problem is a lack of comprehension rather than a lack of belief. Your chosen example of "evolution" was the ability to adapt by "walking on cement versus anything else, whether it is running shoes or high heels, of course we are evolving to our environment." By this measure, Mr. Goodyear, you are doing an excellent job of evolving your responses under the intense environmental pressure of media scrutiny. But you clearly don't understand Charles Darwin's theory.
However, I think your error is quite common and I have a simple solution: come see my show! I have spent the past few months researching and developing "The Rap Guide to Evolution", which explains and explores modern evolutionary theory through remixes, comedy storytelling, and rap poetry, making the theory simple, accessible, interesting, and fun to learn. The show was commissioned by Dr. Mark Pallen, a Microbiologist from England, who has consulted extensively on the scientific accuracy of the raps. Once you have nodded your head to the beat and laughed out loud at some of evolution's bizarre implications, you will have no reason to fear or avoid Darwin's ingenious theory any longer.
Here is what Science Magazine said about the show: "With lyrics that were sometimes sly, often hilarious, and always smart and thought-provoking, Brinkman married the fast, complex, literate delivery of Eminem with the evolutionary expertise and confrontational manner of Dawkins."
Click here to read the full review.
The Rap Guide to Evolution is presented by the Vancouver Evolution Festival (venues and details are below). I sincerely hope to see you there, both for the sake of your job security and Canada's international reputation, not to mention the reassurance of our scientific community.
Yours truly,
Baba Brinkman
Vancouver Evolution Festival Presents:
"The Rap Guide to Evolution" by Baba Brinkman
Public Performances
Friday 10th & Saturday 11th April, 8pm, Aisle 45 in Gastown (45 W Hastings at Abbott), doors at 7:30pm, running time 1hr.
Tickets $10 ($5 concession)
UBC Student Show
Thursday 9th April, 4pm, The Norm Theatre, SUB (Student Union Building)
Free entry
SFU Student Show
Monday 30th March, 2:30pm, IRMACS Theatre, SFU (Burnaby Mountain Campus)
Free entry
Click Here for Facebook Event Listing
Click Here for Additional Information
Friday, March 13, 2009
Hate It or Love It
March 7 2009
Symbionts,
Greetings from the Fresno Rogue Festival. I have now performed "The Rap Guide to Evolution" a total of nine times, and the results are in: people love/hate it! No parent could be prouder than I am of the amounts of kudos and vehemence this show has already generated in equal measure.
The love started early, at the premier performance of the Rap Guide at Cambridge University on February 9th, part of a four-city UK tour to celebrate Darwin’s birthday. The performance was a double-header featuring myself and Lauri Lebo, author of a book called “The Devil in Dover” which chronicles the recent creationism-in-schools court battle in Dover, Pennsylvania. Science Magazine wrote a glowing review of the show complete with extensive quotations and video links, and even published an excerpt in the “Newsmakers” section of their print edition! Please click here to have a read.
By the way, the quotes are mostly from my song “Natural Selection” featuring Richard Dawkins, which can be downloaded from this link: Natural_Selection.mp3
So there’s the love, but as for the hate, my second show here in Fresno is where it all went down. First, the show was very nearly sold out (over a hundred in attendance), so there was a good buzz in the crowd. Second, the lights blew about ten minutes into the show, so the house lights had to be brought up, which means the show was very intimate, lit kind of like a living room. Third, the show got its first standing ovation, which was very overwhelming and humbling, since I’ve been pouring my heart into it for months and wasn’t sure how it would be received. Finally, I have a section in the show where I encourage the audience to give me feedback afterward, so that I can continue to revise and adapt it like an evolving organism.
The feedback was mostly very positive, but at one point I was accosted by two women who said they were very offended by the show, which they found deeply misogynist; they suggested I focus on the “long view” of evolutionary history instead of trying to apply evolution to “short term” subjects like understanding human mating strategies. They said they thought my take on evolutionary psychology was “the equivalent of social darwinism”, and used the example of breast augmentation, which evolutionary psychologists might designate an attention-getting strategy rather than a sad example of female objectification. To this I responded that un-augmented breasts themselves were already an attention-getting strategy, since all other primates have flat breasts that only swell during lactation, whereas human female breasts (and buttocks) have evolved through sexual selection to store fat deposits, making them a prominent mechanism for appraising the fitness (ie youth & fertility) of mates, which was not a popular answer (although technically it was an answer from comparative anatomy rather than evolutionary psych). I found out later that I was speaking to a professor of Women’s Studies from the local university.
Well the whole time we were having this conversation in the lobby after the show, a man was standing nearby listening in, and he finally stepped forward and introduced himself as Dr. Rick Zechman, the head of the Biology Department of CSU Fresno, the same university as my detractors (where the Biology and Women’s Studies Departments are apparently sometimes at odds). When I asked if he had any feedback to add to their feedback, he said “My feedback is that I don’t agree with their feedback”. He then invited me to perform at the university, which I did today, co-sponsored by the Biology Department and the Psychology Department. The Dean of Science was in attendance at the show, as well as about a hundred and forty students, and once again some were very enthusiastic and some not so much, but the response from the scientific community so far has been amazing.
I should add that part of the deal when Dr. Pallen commissioned this show for the Darwin Tour was that he had to vet the script for scientific rigor. So all through January I sent him drafts of the lyrics and he sent me back amendments to ensure that the content was based on the current state of evolutionary biology, and to ensure that I didn’t misrepresent any of the core concepts of his discipline (the part about breast evolution is from The Mating Mind by Geoffrey Miller). This of course gives me a solid foundation when it comes to answering critics, since the show and current evolutionary science supposedly speak with one voice (although I try to represent both sides of certain controversies within evolutionary biology, such as the question of group selection). One reviewer who posted on the Rogue Festival website was unimpressed with my claims of scientific rigor; apparently the show made her feel “disgusted” and “sick to her stomach”, and she found it “racist, sexist, and offensive”. I disagree with this review, but it’s definitely interesting to experience such a range of responses.
In other news, I will be back in Vancouver soon to work on my next solo rap CD, due out in May or June. I am also working with the Vancouver Evolution Festival to get a venue for the Rap Guide in early April, possibly over Easter weekend. How sweet would that be? Darwin rises from the dead and busts a rhyme!
Yours, once again, from the trenches,
Baba
Symbionts,
Greetings from the Fresno Rogue Festival. I have now performed "The Rap Guide to Evolution" a total of nine times, and the results are in: people love/hate it! No parent could be prouder than I am of the amounts of kudos and vehemence this show has already generated in equal measure.
The love started early, at the premier performance of the Rap Guide at Cambridge University on February 9th, part of a four-city UK tour to celebrate Darwin’s birthday. The performance was a double-header featuring myself and Lauri Lebo, author of a book called “The Devil in Dover” which chronicles the recent creationism-in-schools court battle in Dover, Pennsylvania. Science Magazine wrote a glowing review of the show complete with extensive quotations and video links, and even published an excerpt in the “Newsmakers” section of their print edition! Please click here to have a read.
By the way, the quotes are mostly from my song “Natural Selection” featuring Richard Dawkins, which can be downloaded from this link: Natural_Selection.mp3
So there’s the love, but as for the hate, my second show here in Fresno is where it all went down. First, the show was very nearly sold out (over a hundred in attendance), so there was a good buzz in the crowd. Second, the lights blew about ten minutes into the show, so the house lights had to be brought up, which means the show was very intimate, lit kind of like a living room. Third, the show got its first standing ovation, which was very overwhelming and humbling, since I’ve been pouring my heart into it for months and wasn’t sure how it would be received. Finally, I have a section in the show where I encourage the audience to give me feedback afterward, so that I can continue to revise and adapt it like an evolving organism.
The feedback was mostly very positive, but at one point I was accosted by two women who said they were very offended by the show, which they found deeply misogynist; they suggested I focus on the “long view” of evolutionary history instead of trying to apply evolution to “short term” subjects like understanding human mating strategies. They said they thought my take on evolutionary psychology was “the equivalent of social darwinism”, and used the example of breast augmentation, which evolutionary psychologists might designate an attention-getting strategy rather than a sad example of female objectification. To this I responded that un-augmented breasts themselves were already an attention-getting strategy, since all other primates have flat breasts that only swell during lactation, whereas human female breasts (and buttocks) have evolved through sexual selection to store fat deposits, making them a prominent mechanism for appraising the fitness (ie youth & fertility) of mates, which was not a popular answer (although technically it was an answer from comparative anatomy rather than evolutionary psych). I found out later that I was speaking to a professor of Women’s Studies from the local university.
Well the whole time we were having this conversation in the lobby after the show, a man was standing nearby listening in, and he finally stepped forward and introduced himself as Dr. Rick Zechman, the head of the Biology Department of CSU Fresno, the same university as my detractors (where the Biology and Women’s Studies Departments are apparently sometimes at odds). When I asked if he had any feedback to add to their feedback, he said “My feedback is that I don’t agree with their feedback”. He then invited me to perform at the university, which I did today, co-sponsored by the Biology Department and the Psychology Department. The Dean of Science was in attendance at the show, as well as about a hundred and forty students, and once again some were very enthusiastic and some not so much, but the response from the scientific community so far has been amazing.
I should add that part of the deal when Dr. Pallen commissioned this show for the Darwin Tour was that he had to vet the script for scientific rigor. So all through January I sent him drafts of the lyrics and he sent me back amendments to ensure that the content was based on the current state of evolutionary biology, and to ensure that I didn’t misrepresent any of the core concepts of his discipline (the part about breast evolution is from The Mating Mind by Geoffrey Miller). This of course gives me a solid foundation when it comes to answering critics, since the show and current evolutionary science supposedly speak with one voice (although I try to represent both sides of certain controversies within evolutionary biology, such as the question of group selection). One reviewer who posted on the Rogue Festival website was unimpressed with my claims of scientific rigor; apparently the show made her feel “disgusted” and “sick to her stomach”, and she found it “racist, sexist, and offensive”. I disagree with this review, but it’s definitely interesting to experience such a range of responses.
In other news, I will be back in Vancouver soon to work on my next solo rap CD, due out in May or June. I am also working with the Vancouver Evolution Festival to get a venue for the Rap Guide in early April, possibly over Easter weekend. How sweet would that be? Darwin rises from the dead and busts a rhyme!
Yours, once again, from the trenches,
Baba
Wednesday, February 11, 2009
Descending from Darwin
February 7 2009
H. Sapiens,
Hello from Cambridge! I've just returned from the Sanger Institute, and one of the most inspiring conferences I've ever been privileged to attend, so I thought I'd share. The conference, "Evolving Words" brought together performance poets and evolutionary biologists to exchange ideas and expertise, in order to increase public appreciation of Darwin's work and legacy. The poets were each paired with a scientist, and we each had to learn the other's bio and interests and introduce them to the group. My counterpart for that exercise was none other than Randal Keynes, Charles Darwin's great-great-grandson!
In the evening we were privy to performances from the other poets, including the legendary beat poet Michael Horovitz, and I even previewed a few scenes from the "Rap Guide to Evolution" which one biologist described as "surprisingly accurate, for a rap". Later we had a chance to participate in a roundtable discussion with the institute's leading geneticists and experts in human evolution, such as Dr. Chris Tyler-Smith, who talked about the current state of scientific knowledge on the questions of whence, wherefore, and whither. Later we were taken on a tour of the DNA sequencing labs and supercomputers used to process the information (ever heard of a petabyte?). Here's a link to their website if you want to learn more: click here.
The Sanger Institute, by the way, is where approximately 40% of the Human Genome Project was completed, in a race to map the human genetic code and put it into public domain on the web before private interests had a chance to copyright and trademark (!) the code for commercial purposes. It was a great triumph of the public good over narrow profit-motives, and now the institute is on the cutting edge of genetic medicine. It was mind-boggling to hear of the progress made in the past fifteen years in terms of sheer capacity. For instance, it originally took twelve years to map the genome of a single person. Now they process the equivalent of 40 full genomes per day!
So now I'm spending the weekend in Cambridge preparing for the first full performance of the "Rap Guide to Evolution" on Monday. The show was recently thrown for a loop when the other rapper, Greydon Square, discovered he couldn't travel due to parole restrictions. It was supposed to be a two-man, one-hour production, but suddenly I now find it's all on me. It's a shame, because Greydon is a pretty fascinating guy and I was looking forward to the collaboration. If you want to check out some of his stuff and imagine what could have been, here's the link: click here.
And if any of you are in the UK and want to catch the show in its current primitive form, the tour schedule is posted on my website (but please do RSVP because space is limited):
Yours in appreciation,
Baba
H. Sapiens,
Hello from Cambridge! I've just returned from the Sanger Institute, and one of the most inspiring conferences I've ever been privileged to attend, so I thought I'd share. The conference, "Evolving Words" brought together performance poets and evolutionary biologists to exchange ideas and expertise, in order to increase public appreciation of Darwin's work and legacy. The poets were each paired with a scientist, and we each had to learn the other's bio and interests and introduce them to the group. My counterpart for that exercise was none other than Randal Keynes, Charles Darwin's great-great-grandson!
In the evening we were privy to performances from the other poets, including the legendary beat poet Michael Horovitz, and I even previewed a few scenes from the "Rap Guide to Evolution" which one biologist described as "surprisingly accurate, for a rap". Later we had a chance to participate in a roundtable discussion with the institute's leading geneticists and experts in human evolution, such as Dr. Chris Tyler-Smith, who talked about the current state of scientific knowledge on the questions of whence, wherefore, and whither. Later we were taken on a tour of the DNA sequencing labs and supercomputers used to process the information (ever heard of a petabyte?). Here's a link to their website if you want to learn more: click here.
The Sanger Institute, by the way, is where approximately 40% of the Human Genome Project was completed, in a race to map the human genetic code and put it into public domain on the web before private interests had a chance to copyright and trademark (!) the code for commercial purposes. It was a great triumph of the public good over narrow profit-motives, and now the institute is on the cutting edge of genetic medicine. It was mind-boggling to hear of the progress made in the past fifteen years in terms of sheer capacity. For instance, it originally took twelve years to map the genome of a single person. Now they process the equivalent of 40 full genomes per day!
So now I'm spending the weekend in Cambridge preparing for the first full performance of the "Rap Guide to Evolution" on Monday. The show was recently thrown for a loop when the other rapper, Greydon Square, discovered he couldn't travel due to parole restrictions. It was supposed to be a two-man, one-hour production, but suddenly I now find it's all on me. It's a shame, because Greydon is a pretty fascinating guy and I was looking forward to the collaboration. If you want to check out some of his stuff and imagine what could have been, here's the link: click here.
And if any of you are in the UK and want to catch the show in its current primitive form, the tour schedule is posted on my website (but please do RSVP because space is limited):
Yours in appreciation,
Baba
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